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Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips
$2.96
$3.95
Safe 25%
Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips
Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips
Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips
Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips
Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips
Harry's Gone Fishing - Premium Fishing Gear & Accessories for Anglers | Best for Freshwater & Saltwater Fishing Trips
$2.96
$3.95
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SKU: 48341108
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Description
Gadfly Records is proud to announce the release of Harry's Gone Fishing from British folk legend Leon Rosselson. Harry's Gone Fishing is the first release of new songs for Rosselson since the early '90s. In addition to the always-witty and observant stylings of Rosselson, the release features guest appearances from the cream of the English folk scene: Martin Carthy, John Kirkpatrick, Fiz Shapur, and others.Rosselson has been an active and noted member of the British folk scene for almost 40 years. He began writing songs seriously (and humorously) in the early 1960s and hasn't stopped yet! His early songs were topical-satirical (some of them were featured on TV's satire show That Was The Week That Was) but he broadened out from there, absorbing different influences and experimenting with different song forms. His song The World Turned Upside Down has been recorded and popularized by, among others, Dick Gaughan and Billy Bragg (who took it into the U. K. pop charts in 1985) and has been sung on numerous demonstrations in Britain and the U.S. His Ballad of a Spycatcher, ridiculing the U.K. ban on Peter Wright's book, went into the U.K. Indie Singles charts in 1987 in a version backed by Billy Bragg and the Oyster Band. Rosselson has performed in every conceivable venue in North America, the U.K., Holland, Belgium, Switzerland, and Australia. He toured North America in October 2000 to coincide with the release of Harry's Gone Fishing.
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Reviews
*****
Verified Buyer
5
Leon Rosselson is a talented and important British folksinger. His best work comes from the 1970s, and is square in the English socialist tradition with a gift for melody and biting satirical lyrics. Sadly, little of this older music is available on CD currently, and the present offering pretty well epitomizes the situation: of its eleven tracks, there is one classic: You Noble Diggers recorded in 1979. The crassness of that track's audio engineering only adds to the sense of time and place of this great song: an angular Dorian march in praise of its mid-Seventeenth Century English agrarian-anarchist namesakes. Try to get a hold of the original "If I Knew Who the Enemy Was" LP if you can for more true vintage Rosselson.Unfortunately, the other songs, recorded twenty years later in 1999, are a pale echo of Rosselson's glory years. The arrangements are slicker, the backings often commercial-sounding, and the advocacy of unabashed, unreconstituted, pre-Cold War socialism recycled with little sense of irony over the events of the intervening years. One song, for example, entitled Postcards from Cuba, expresses an apparent nostalgia for the violent and authoritarian years of post-revolution Cuba. Several of the other 1999 songs seem stuck in a time warp of 1960s politics. There is no commentary on globalization, no exploration of post-Cold War concepts of transnational identity, and no references to the freedom movements that were then bursting out across formerly totalitarian countries from East Germany, Yugoslavia, and the USSR all the way to Nepal. Hearing these songs reminds me of Dylan during his Gospel period, or Wes Montgomery after he abandoned jazz for studio arrangements of pop songs.So in conclusion, this is not Rosselson at his best, save one great song from his heyday. Of the other CDs available currently at Amazon US, I'd prefer Perspectives as a better sampler. But until more of his classic LPs become available in digital format, this is perhaps the best you can do.

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